with its roots firmly in the relentless techno of the 90s, absence of facts presents modern analog-inspired tracks that have been handcrafted and carefully selected in helsinki, finland.
with more than 22 years in the business, absence of facts head honcho orion joins another undeniable trendsetter and tastemaker, long-term techno heavyweight cari lekebusch. with helsinki meeting stockholm, the result is a groovy, hypnotic two-tracker.
“absence” is a growing and banging yet funky, squelching piece of uncompromised techno while “presence” is for those deep, trippy moments in the early morning hours.

new label tell zero records hits the ground running with a 10” ambient white label that digs deep.

dasha is back on sonic groove for her first outing on the label in six years. in this time elapsed dasha has released just two dance singles both some years ago. her last musical outing in 2015, is the stunning masterpiece experimental listening album entitled -sleepstep- on raster noton. now finally after a quite long hiatus from releasing dance music. dasha returns with -ain t no god nor king-, a four song extended play release . this deep minded, beat driven journey starts off with -katusha- a hard minimalistic, mesmerizing affair with strong delay effects on the kick drum forging a subconscious state of time and space as it echoes it way through mountainous canyons far away from civilization. next up is -dystopian drive-, a percussive song which brings an atmosphere of doom and gloom full on, with a gritty & stringent ebm bassline and tripped out layered acidic effects riding the thick bass waves. -black swan- takes it a few steps further into even darker dismal territories, a nearly nine minute journey which is a fitting sound track for surveilling a haunting post nuclear apocalypse scene from up above. -acid melancholy- is a 303 tweaked ambient sound sculpture with a metronomic pendulum rhythmic perc swinging back and forth which signals that time has run its course and the end is near.

theatre records was founded with the idea of concentrating the major genres of electronic music on a single stage. many centuries of theatral art have taught that the tragedy and the comedy are strictly linked in spite of their differences. with this pillar theatre records contains various genres that at the same time are separated in two different sub-labels. theatre white – the mask of the comedy includes the strenght and musicality of electro-house and progressive-house. theatre black – the mask of tragedy keeps inside the soul of genres as deep-house and tech-house.

very limited album discs available now!
this is the first album oscar mulero has released under his own name, after two acclaimed lps under the moniker trolley route. well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail.
grey fades to green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.

nice price deal !!! following on from the in demand subliminal kid release earlier this year, this sick new ep from label boss matt o brien serves up a fulsome diet of deep, dark and mindbogglingly wonky house and techno, in a release that is the apex of matts production skills to date. kicking off, the aptly named gauntlet throws down fuzzily tweaked and flanged raw beats, married to dizzying, tremelous synths, darkside stabs and general dancefloor frenzy. dodaso flips the script, sounding like a million orthogonal genres colliding and combining in deep dub sub space, underpinning the delicate melody while splurges of colour obliterate your senses. this is very different to anything else out there and will appeal to a wide range of djs and floors. rounding off the ep, blackwood freestyle at first sounds deceptively simple, hiding its dark secrets like an insane clockwork puzzle, unfolding like hell raisers lament configuration with each listen revealing uni-maginable contortions that pull you further into the groove.

for its 2nd vinyl release, hi! energy has gathered 4 of the finest underground house artists! melting jackin house & funk infused chopped samples with the new generation of deep and garage sounds. each track is a hit!

4 super deep cuts for dogmatik, from samu.l which further cement his reputation as an underground heavyweight. king of snakeskin boots is sinewy, muscular, bubbling away, under syncopated drums. title track, new day is classic samu.l with heightened tension and driving kicks. press select drifts along, offering playful melodies and dreamy bass, whilst the valley dub takes us deeper again, riding on shuffling hats, atop a trademark hypnotic samu.l groove.

dutch producer sota is the latest to be snapped up by ornate music, presenting his second ever release having first come to light with his own talaman label earlier in the year. subsonica rides on a tough house groove, keeping the elements as spartan as possible while heading straight into the deep end of the night. inverse is a skippier affair that deals with heavily processed synth flares and a deadly swinging groove, and then chatka finishes the ep off with a dreamy cut peppered with delay processing for the quintessential dubby trip through refined 4/4 dance music.

the latest love notes welcomes perseus traxx to the fold with just the kind of romantic, classically informed hardware jam action that the label so dearly loves. fears of simplicity kicks off on a celestial tip that reaches skyward with its plush layers of electronic melodics, while exhilaration of the new sports a distinctly mr. fingers-flavoured vibe that s impossible to dislike. half heard whispers is a lighter jam that floats along on an airy bed of pads, and then in our dreams takes the prize as the prime cut on the record, digging deep to depict a more mysterious version of the old skool house music we know and love.

double 12 inch vinyl, including the soundtracks from the original series, the next generation, deep space nine and voyager.

in records continues his musical trip and stops this time in sweden (malmö). rimbaudian is an artist that we don’t need to present anymore, surely one of the most gifted producers of his generation. he keeps soaking up the best in deep, souful techno. this is a very special release perfect for techno and house lovers alike.
vinyl only - limited edition!

full cover 12“ vinyl version. alexander slush from russia presents his first release on the resopal label squid ep contains two tracks -- laidback, cheerful, techno arrangements growing slowly into a groove. alex slush steers his boat over deep and techno waters and continues his odyssey through the oceans of electronica. all in all, alexander slush shows a musical snapshot of today s electronic reality.

continuously reimagining his sound and style, the grammy-winning artist sharam digs deep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the new material that he has been field testing with incredible response. dj support: eats everything dusky hector romero montel mat.joe noir

punishment capital marks leo james return to his own label body language, after recent outings on neubau and berceuse heroique. the music is heavy and the feeling is deep.

the delsin c-series welcomes sawlin for a new ep that finds him in a housier mood than you might expect. after eps on ann aimee, vault series and code is law, he has become known as a techno producer, but this proves he can do much more. opener motion keeper is a deep underground affair with swirling pads adding scale to the heavy, churning drums. it s soaked in ethereal pads and will suck you right in when played on a large sound system. easiness supplier gets a little more trippy, with mastery synth droplets dancing about above busted, frazzled drum loops. it s edgy and tense builds to a seriously weighty groove over time. last of all, wired evening is a dark, gritty dubbed out house cut with snaking hi hats, gurgling synths and menace in the air. this is shadowy and physical house music at its finest.

ian tocor is a smiling ambiance man, into ambient ,deep, dub and techno, half of outlander wax theory and drnchd bands, he signed his first vinyl on the american label love what you feel in 2014. played by fred p, this ep oscillates between a dub house in lace and a deep and colorful deep house. it has been found on the first compilation of simple music experience with a dreamlike journey called -blue- or on label vastechoses, the latest project built with his friends sevyce and lostsoundbytes, adventurous music, intrepid grooves and editions of all kinds are on this platform with evocative name.in short, music is for ian an outlet, deeply anxious to provoke in various forms links between moving bodies, his dj sets are as rough and strong as they are surrounded by sensitivity.

the delsin c-series welcomes sawlin for a new ep that finds him in a housier mood than you might expect. after eps on ann aimee, vault series and code is law, he has become known as a techno producer, but this proves he can do much more. opener motion keeper is a deep underground affair with swirling pads adding scale to the heavy, churning drums. it s soaked in ethereal pads and will suck you right in when played on a large sound system. easiness supplier gets a little more trippy, with mastery synth droplets dancing about above busted, frazzled drum loops. it s edgy and tense builds to a seriously weighty groove over time. last of all, wired evening is a dark, gritty dubbed out house cut with snaking hi hats, gurgling synths and menace in the air. this is shadowy and physical house music at its finest.

the memory box parties have been celebrating the classic foundations of acid house for some time, and now they ve launched a label to push their love of squelchy 303 even further. robin ball steps up for the first release with some classic examples of how to ride the well-worn machine and keep it sounding fresh like the first rays of morning through the warehouse window. -acid stomp- needs little explanation - it teases with some subdued 303 warbles before the real meat of the track kicks in and the frequency starts freaking. acid duck is a more reduced affair, while collaboration with neil tibbetts sqolch works a few deep house elements into the mix. mvdc finish the ep off with the abrasive, grungy thrust of back in the dayz

throughout the 90’s, dj bone was one of detroit’s best kept secrets. releasing only a handful of 12 inches, bone’s eclectic and fast mixing style became popular in his home town, starting with his weekly residency at the love club, and gaining more all over detroit 5 nights a week, as well as fortnightly live sets on deep space radio. in 1996, laurent garnier witnessed him djing, and invited him to play in paris legendary rex club - a 12 inch for juan atkins metroplex soon followed, with a peel session, and his subject:detroit volume 2 mix cd being distributed worldwide helping to establish him globally as a force in detroit techno. anotherday are very proud to announce the reissue of that legendary metroplex 12 inch, riding the thin line. from the sweeping strings and tribal loops of shut the lites off, to the hissing bassy electro of the funk and woozy techno of the haunting, this is dj bone at the peak of his powers.

after an impressive debut secret society return with a quality packed ep for the labels second release. ss02 features four cuts that cover a range of driving dubby deep house side by side with loopy vintage grooves. crisp drums and raw sounds are part of the recipe for this sureshot

rnt welcomes upstart londoner cody currie into the roster with the groove-heavy movin smoke ep. a precociously well-developed production talent, the young producer puts his penchant for deep house sample-scapes on full display here. from the blissful lilt of the title track to the creatively crafted jazz funk of infinity i & ii through to the b-side bangers make love and magic city, this record is a beautiful listen from beginning to end.

after a short hiatus to axe on wax and his return to tieffrequent records monosoul is coming back to s4aw, too... monosoul s signature sound is still there and yet has changed a bit. more bouncing basslines, more deepness and more synth textures... on remix credits we ve got atlanta s very own byron the aquarius. 2016 was an exceptionally good year for him in the biz with releases on wild oats, sound signature, etc. in 2017 he will totally go big with his unique, deep - no frills jazzy impro style. so we re more than happy with his own chord jams making up a top notch remix. what s left to be said well like michael brody put it: nothing is more important than friendship. not money, not fame, not death. crew love is true love!

vinyl only – after four first releases by myself, i invited three of my favorite producers and friends to take part in the first various artist ep of the label called retro future. a1 is provided by stevn.aint.leavn from the beste modus and certain circles camps. i ve been following stefan closely since the release of his big track -precious- and he is now making waves everywhere. for this record he provides -motion- a smashing house track that enlightened every dance floor i dropped it on. then comes alix alvarez, a real underground hero of the new york scene. he s been releasing tunes since more than 15 years, collaborating with mr v and franck roger. alix delivers the tune -no chaser-, a stripped back, deep and driving number that he is known for. the kind of track that made his reputation. on the other side of the record you ll find paolo rocco. he is the man of the moment, fresh from great releases on taverna tracks, rutilance or courtesy of balance to name a few. here we have -7284-, it has been a true favorite of mine over the last months. finally i round up the ep with -belle maison- a new jam i recorded a few months ago featuring an engaging french speech, mpc beats and fb-01 synths. welcome to retro future chapter one.

what do you get a millionaire industrialist, professional gambler and member of the swiss golf team?
dieter meier, heir turned conceptual artist, joined boris blank to form the electronic synth group yello in the late 70s, but it wasnt until the late 80s that they had their biggest success with the international hit the race, which was used in advertisements and (sports) programs all over the world.
combining samples and beats with meiers deep and distinctive voice, yello became experts in combining the suave with the eclectic. 1998s flag contains the hit the race next to a number of experiments on afro-cuban rhythms, such as on tied up. this first vinyl re-release since 1989 comes on 180 grams audiophile vinyl with an insert.

ashtrejinkins is a compton based producer and dj. known for his involvement with the low end theory community for years, he has now taken a new form into the world of uptempo electronic music. with his “ fruit in failure ep”, tre dives into the fruit of sound with vibrant synths and wholesome melodies. starting from the deep, into the soulful, and onto the future.

aleks from amsterdam/ haarlem is hitting the new 4 track ep on deeptrax with dope 909 patterns, bubblin deep inverted 303 basslines, electrical resonant sonic noises, distorted tape technoid trax and ocean deep chords. but all have that rare groovy component called the future of house.... this one is from another galaxy.

london s weekend circuit imprint returns with a 5 track ep from label owner michael wells entitled three marks of existence. the ep marks michael s debut on the label and is a signifier of his future direction as a producer - meditative, tense, unfolding electronics and monochrome ambient environments inform this release. the deepest of deep space is contained within ep opener antecedent , an almost menacing, enveloping track that engulfs us during it s 5 minutes or so of existence. verge follows and is driven by speaker puncturing taut, tribal drum programming and swirling satellite sounds, creeping further into the nexus. subtly heavy indeed. ‘three marks of existence mines an altogether different vein, an epic, widescreen vision of downtempo electro that is damaged, on the fritz, but containing enough melodic beauty to retain hope. souls in the machines. weekend circuit acolytes yyyy return to the scene of the crime with a monolithic remix of verge that opens the second side of this ep, showcasing their unique style and interpretation of the original mix, and following on from their previous split ep with stanislav tolkachev and their own ep ‘intention of mortal’. ‘ilmatar leaves us out and leads you into the cold night, the final transmission from the ‘three marks of existence signal. fierce drums punctuate the night sky and barren landscapes while somewhere deep inside, memories are remembered. equal parts thought provoking and anxious, the perfect end point for what will undoubtedly be a formative benchmark in the weekend circuit canon.

spatial cues is a series of split singles sounding out main(void)’s and kon janson’s shared musical space. operating out of berlin and london, the two artists join forces to showcase their mutual vision of techno music. cues003 explores the darker side of the series with a focus on low frequencies, echoing percussions, and vast spaces, evoking a deep introspective motion. diffracting a manifold of sounds around its massive kick drum, cues003 a builds and releases tension through a dramatic sequence of smooth swells and intense surges. grounded by its captivating groove, cues003 b evolves around the sinister funk of fierce fm bass stabs, leading up to a powerful break that introduces a razor-edged hi-hat.

new yorks matuss returns with the eighth release on her absence seizure imprint this september, comprising three originals from the ukrainian born artist. julia matuss, better known as simply matuss has been steadily carving out a name for herself over the past decade, initially finding her feet as a prominent dj in the ukrainian scene she grew up in before a move to new york saw thing progress and the launch of her absence seizure imprint shortly followed. now eight releases deep the imprint has piqued the interested of dj s such as d julz, dj deep, derek plaslaiko, twr72 and beaner. taking the lead on the package is fairy dust setting the scene via warbling rhodes chords, raw dub sweeps and a pulsating low-end drive before a spaced out, sinuous resonant synth lead ebbs and flows throughout the focal point of the composition. baelfire follows and strips things back to raw percussive feel, employing thunderous claps, a weighty kicks and sweeping filtered sample as the foundation before the latter half of the record works in a frenzied acid-tinged hook. faramant then closes the package with an amalgamation of organic percussion, natural bass licks and glitchy percussive chimes which all subtly evolve and retract throughout.

ltd 2017 repress .. australia is known for its sydney opera house, great barrier reef, the vast desert wilderness and unique animal species including kangaroos and duck-billed platypuses but is also known for its well-crafted music output and deep love for optimistic sensual tunes

proper remixes from solomun , chris liebing, point point...

wow. now we re talking, all time classic material right here from the strictly archives. the legendary man of many hats armand van helden dropped this almighty, hypnotic slab of deepness under his mole people guise in the mists of 1995. a total deep house classic indeed. dreamy, driving, dubby, hypnotic, narcotic - it has it all. super long tracks, for the dj s to work and for the dancers to get fully lost in. break night is colossal, this one will literally transport the dance-floor to another dimension, guaranteed. sounding as fresh and as relevant as ever. timeless. ocean on the flip steps up the toughness factor with some super hard, swingin nyc drumz, but it still has that otherworldly edge that the a-side drenched us in previously. a near perfect record here, made available again, undoubtedly this will win a new legion of fans it s that good! this one s a tasty 2017 reissue and remaster, featuring both cuts, unedited, as per the original release way back when. essential stuff here. do not sleep.

combining forces, audiofly and patrice bäumel draw on unique inspirations from the desert to deliver the monumental atacama on crosstown rebels. having focused solely on his own productions in the past, label boss damian lazarus steps away for the first time to complete this exceptional release with a profound re-shape. the hypnotic atacama intricately builds with a certain intensity that never drops, stimulating the senses and transporting the mind as deep, grumbling pads drift in and out of play. damian lazarus remembers the first moment i heard this track i knew there was something very special about it, not only did it strike me as a killer club record but i also felt the textures completely appropriate to my own experiences in the atacama desert. on the flip, damian changes gear as a deep, chugging beat leads the way through an impressive re-shape of the original. anthony middleton and luca saporito aka audiofly have established a creative empire, which includes two record labels and their flying circus global party brand. they met patrice during a us tour and immediately hit it off. it wasn t long after that we decided to invite him to barcelona for a session that proved to be nothing short of inspirational. internationally renowned dj and producer patrice bäumel has had a busy start to 2017 with a release on tale of us’ afterlife imprint, plus remixes for sasha & policia and depeche mode amongst others. he truthfully said of the this release, it s a labour of love that came together within a few hours of jamming in the studio, unlike many collabs this one really felt like we all equally contributed to the end result.

...and in the end, not a great deal is known about the spanish duo futuro. the saga begins with the discovery of a cache of test pressings deep within the shelves of a very dusty record shop near the plaza del toros de valencia. as is the case with these things there was no promo sheet or any other information outside of three clues etched into the run-out groove: futuro, jollyman, mcmlxxxvii. through deduction and reasoning it was soon realised that jollyman was a short lived italian record label that closed it s doors in 1987. there were rumours for a while that jollyman was a mafia wedding gift to a music enthused female family member, but as the journey continued it became slightly more likely that this was a tax write-off for it s owners, as the label itself was never very successful, and was more likely an afterthought rather than a full on passion project. that is not to say that there were not gems hidden within it s small catalogue, most notably from noted library musician, composer and arranger alessandro signoretti, without whose help this release would not be presently in front of you. alessandro s assistance led us to the infamous hafenklang studio in hamburg, germany. the very same studio used by boytronic to record their classic lp the continental (some of the same dx presets can easily be heard on both albums) and despite the insane amounts of musicians that have passed through those doors the owner clearly remembered the duo and finally the mysterious futuro had names: javier c rayón and raúl láynez.

too late for the italo boom, and too early for the sonido de valencia craze, the recordings of futuro have sat on master tapes since 1987 finally awaiting their much deserved audience. bordello a parigi are more than proud to present this lost late slow-mo synthesizer italo masterpiece onto the world.

debut of a new collabo between soulphiction and blunted monkz, recorded during one of their jam sessions. three tracks cover the grounds between deep and jazzy on gotta have it, minimal and tracky excursions on criticize, up to a frantic live mayhem like tripolis jam. no polish done here, keepin it raw and direct. we welcome sbm to our roster and look forward to further expansions of philpots universe. thanks for purchasing a real copy!

steffen deux returns to 8bit with a beautiful ep right on time for mid summer. pradise is a powerful chordy deep house tune pulsating until the end. inhale is more the experimantal side of steffen. the track developes over 8 minutes and keeps builds the tension step by step. enjoy!

on our journey within the global minimal house orbit, we are happy to pick up andrea giudice. the young producer gave us two charming tracks, to spread his glowing vision of electronic starry sky into the global village. on his debut ep for resopal he comes up with wo lighthearted but deep minimal techno tracks touching detroit landscapes, as well as berlin ones and adding his very own touch. amazing release

the first ep from eurotate features four different tracks, one each from the labels copenhagen founders. limited pressing of 250 copies, 180gram.
copenhagen label eurotate’s four founding members unite on this dark and punchy four tracker, each contributing a choice cut to the mix. all tracks are united by a commitment to deep sounds and fanciful rhythms.

grant002 delivers 4 tracks of airy, classic, deep-tinged house music. mixing up unofficial remixes with classic samples and original materiel, this time featuring chris gray on vocals on the track calibrate. 1 per customer!

as with his previous offerings - that have found a home on the likes of red rack’ems smugglers inn, horn wax, ruff draft, plus his co-owned end of label boss imprint – cyclonix continues to explore the deeper and more leftfield spectrum of underground dance music with a futuristic vision. made up of two original tracks, ‘alien drug store’ ep draws on a host of electronic influences ranging from deep house to detroit beatdown, alongside subtle hints of acid house and dub techno, whilst both retain the producers trademark sci-fi aesthetic. the release is completed with a sterling remix of ‘you’d better not’ from a pioneering legend of the uk underground - 4hero’s marc mac, under his nu era guise. heading up the a side is ‘you’d better not’, a slow-grooving techno cut bolstered by punchy kicks and a rubbery bassline, where foreboding sci-fi vox samples are interspersed with dubbed out chords and crunchy offbeat snares, as the arrangement shifts from one mood to another. the sub-aquatic vibes of ‘two face’ follows, which is set to a hypnotic two chord pattern, 4/4 kicks and a lashing of moody synths that gradually entices you into deeper realms through the aid of rippling hi-hats and rhythmic percussion with a submersed quality. on the flip is marc mac’s nu era take on the 12”s lead cut ‘you’d better not’, who transforms the menacing original into a blast of uplifting broken techno, where the soulful musicality of sustained strings and piano chords complement snippets of the original’s vocal sample that drifts atop adept drum programming, bouncy synth bass and a flurry of glistening synth melodies.

horn dub: the jazz funk intro sets the mood for this funky roller. chopped amens break out and floor shaking deep bass permeates throughout. this tune is guaranteed make the dancefloor quake.
i want it: a deep and mysterious intro leading up to a sexy “i want it” vocal. striped down drums set upon deep hover bassline keeps it in the deep, while piano keys reel in the mysterious hook.

boka records returns after a near 2 year hiatus to present a series of brand new releases and new recruits. first up is bristol’s guesswerk featuring regular collaborator onethird and a fine remix from none other than quest of deep medi fame.

it s been quite a while since naibu’s last feature on scientific. more than a year has passed since the release of his acclaimed “case study”, a mature and eclectic quasi d’n’b album rich in live instrumentation and tons of intricate details.
and here’s a follow-up to this work a four track remix ep featuring reworks by some of the biggest names in the atmospheric deep drum & bass current of today. naibu’s already captivating take on music gets reinterpreted in four different ways, so just know that you’ll be treated with a sense of freshness and familiarity at the same time.
spanning a variety of shades of drum & bass, from hiddenwave’s deep and rolling take on “turn me down”, through seba’s nostalgic rework of “astray” and bungle’s powerful, cosmic rearrangement of “case study”, to future engineers heavyweight, solid-basslined reinvention of “fighting for attention”, the ep acts as an excellent supplement to naibu’s original work, offering listeners even more of auditory pleasure.

total science are back to grace their own imprint cia records, and this time they enlist the musical and technical prowess of fellow bristol associates hydro and war alongside themselves on the reign ep. made up of four killer slabs of fast paced, moving and deep drum & bass, the influence of each party is immediately obvious in each track. total science are infamous for their breaks and rave influences that have often been present in their music since they first started releasing in the early 1990’s. hydro has been releasing music since 2007, working with a slew of respected producers such as break, dlr, fd and halogenix amongst many others. he is infamous for his epic sample collection and the deep and deadly vibe that he brings to tracks. and the young french extraordinaire war has already shown he is a force to be reckoned with, consistently releasing music with a sublime depth and musicality that belies his age – and also a power and punch that consistently rips clubs to shreds. the reign ep brings the finest attributes of each of the parties to the table, and results in a well-rounded collection of music that offers something to a wide range of listeners. whether you want to lock them into a groove, tear the roof off the club, or get them thinking about what will come next in this world, the reign ep has it in spades.

skeleton recordings are proud to announce the release of the skeleton xxv project to celebrate the 25th anniversary of the label which originally launched in 1992. this is a five part collectors edition to celebrate 25 years of skeleton recordings. volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original skeleton recordings logo that will look good on any wall. volume 05 will be a picture disc. the full digital album will only become available once all five volumes have been released. the project has taken just over 12 months to put together and is definitely something for the collectors. it has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of bailey, storm and ray keith to name a few.

2024 repress incoming! the ever-reliant deepchord kicks off 2014 in his usual stylish way with two deep uts in the luxury ep. after last years jaunt into the ambient with 20 electrostatic soundfields, rod model return to the world of slick beats and even dreamier synths and atmospheres.

introducing revlux. with products and accessories for the entire family, revlux has grown from a humble lifestyle brand into a multinational, multi-sector corporation with divisions in aerospace, terraforming, deep space networking, food and beverage, and experimental computer science.